Yolanda（yun Yao) is my good friend, and at Birmingham city university music college(conservatoire) and learn piano accompaniment professional. I followed her a month observed her learning strategies and learned about learning piano accompaniment professional many details and steps. Now share with everyone.
Yolanda in piano roomPiano accompaniment this subject main content is the constant over various instruments and bel canto of accompaniment, and then the teacher teaching way grasp new play mode. She received this semester the main task is to take over a learning violin ensemble music, and when the final play presenting forms to earn credit.
She received the movement is the Johannes Brahms SONATA NO. 3 (in D minor.Opus108 for Violin and piano).Yolanda tell me, learning piano accompaniment of the best learning strategy is to keep practicing. Every day she stay in the piano room, practicing this movement. But in some preparation before contact is necessary. First, Yolanda consult a lot about Johannes Brahms careers. Johannes Brahms was not a happy man, he can't and deep love woman get married, life is very easy. But his work is full of power, the sense that gives a person is very strong.
She received the movement is the Johannes Brahms SONATA NO. 3 (in D minor.Opus108 for Violin and piano).Yolanda tell me, learning piano accompaniment of the best learning strategy is to keep practicing. Every day she stay in the piano room, practicing this movement. But in some preparation before contact is necessary. First, Yolanda consult a lot about Johannes Brahms careers. Johannes Brahms was not a happy man, he can't and deep love woman get married, life is very easy. But his work is full of power, the sense that gives a person is very strong.
Johannes Brahms
Yolanda partner's name is Samual Au . He play the violin very well, but two started work always arise differences. Because although is the same movement, but everyone for its understanding is different. Every day they both want cooperation exercise four to five hours, continuously break-in, simultaneously pointed out that each other's faults.
Yolanda said, learning piano accompaniment more important is to listen to the opinions of the cooperative partner, absorb each other's opinions, understand each other for works of interpretation. Then continuously modify own play mode, let both sides playing more and coordination, more and more harmonious.
Yolanda said, learning piano accompaniment more important is to listen to the opinions of the cooperative partner, absorb each other's opinions, understand each other for works of interpretation. Then continuously modify own play mode, let both sides playing more and coordination, more and more harmonious.
After countless times repeated practice and cooperation, they played already more and more mature. Below is my filmed them a collaborative performance.
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